Luciano Caggianello


Luciano Caggianello born in Siena in 1959, is an artist and designer who began his activity in the 1980s interacting with different professional fields: Advertising, Illustration, Graphics and Design (industrial and car-design). At the same time he embarked on a path of artistic research which, after initial and assiduous frequentations at the Academy as well as studies and ateliers of established Turin artists, led him to evolve various representative and visual themes, allowing him to also validate an articulated national and international exhibition itinerary.

He is also accompanied, in this path, by the publication of some books (“Intermediario Immateriale” 2003, “Parole altrove” 2014, “Aporia e Metamorfosi dell’Arte” 2019, “Fenomenologia del Quotidiano 2020, “Pubblicità .jPig” 2021) which serve mainly as an aid to reflection and deepening of one's conceptual and philosophical research.

He lives and works in Turin, Italy.

Probably art understood as a private expression of the individual and his inner condition is an obsolete modality that fails to contribute effectively to the narration of awareness and the itinerary of circumnavigation of thought. Therefore, the will to realize, through an inductive matrix, a different artistic ideal, often without frills, targeted, direct, absolutely unequivocal, structured and determined in its sealed conformation, becomes overwhelming.

In fact, in recent years his artistic recognition has essentially become a work of prevalent perceptive and conceptual synthesis that re-elaborates all the didactic, cultural and intellectual interactions also coming from his different educational fields (from Applied Industrial Physics, to Architecture, to Visual). Furthermore, this approach, identifying the artistic objective of a thematic-conceptual project and of an experimentation inserted between “Concrete Poverism” and Digital Art, is revealed to be packaged by a wealth of ideas, conceptuality, depth and intellectual acumen capable of positioning itself in the artistic experience, making it real and connective in a neuronal sense and in any case much more related and pertinent to concepts of presentation than to formal representation as is understood in the common visual conception.

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